新托福阅读模拟题

现在留学的学生越来越多，留学可以开阔眼界，也能学习不一样的教育体制，而且国外名校众多，教育水平也一流。下面小编就来和大家说说“新托福阅读模拟题”这个问题

新 托福 阅读模拟题

同学们备考的时候一定要多做试题，通过做题才能够反映出大家的不足之处才哪里，有针对性的备考才能够进步得更快。下面就一起来看看新托福阅读模拟试题及答案。

The medieval artists didn’t know about perspective; they didn’t want to make their people look like real, individual people in a real, individual scene. They wanted to show the truth, the eternal quality of their religious stories. So these artists didn’t need to know about perspective.

In the European Renaissance period, artists wanted to show the importance of the individual person and his or her possessions and surroundings. A flat medieval style couldn’t show this level of reality and the artists needed a new technique. It was the Italian artist Brunelleschi who discovered the technique of perspective drawing. At first the artists of the Renaissance only had single-point perspective. Later they realized that they could have two-pointed perspective and still later multi-point perspective.

With two-point perspective they could turn an object (like a building) at an angle to the picture and draw two sides of it. The technique of perspective which seems so natural to us now is an invented technique, a part of the “grammar of painting”. Like all bits of grammar there are exceptions about perspective. For example, only vertical and horizontal surfaces seem to meet on eye level. Sloping roof tops don’t meet on eye level.

For 500 years, artists in Europe made use of perspective drawing in their pictures. Nevertheless, there are a range of priorities that artists in displaying individual styles. Crivelli wanted to show depth in his picture and he used a simple single-point perspective. Cezanne always talked about space and volume. Van Gogh, like some of the other painters of the Impressionist period, was interested in Japanese prints. And Japanese artists until this century were always very strong designers of “flat” pictures. Picasso certainly made pictures which have volume and depth. However, he wanted to keep our eyes on the surface and to remind us that his paintings are paintings and not illusions.

It is technically easy to give an illusion of depth. However, a strong two dimensional design is just as important as a feeling of depth, and perhaps more important.

新托福阅读模拟试题及答案：

1 The passage mainly discusses

(a) the difference between medieval and Renaissance art

(b) how the technique of perspective influenced the modern art

(c) the discovery of the technique of perspective

(d) the contribution of Renaissance artists

2 The word “eternal” in line 3 is closest in meaning to

(a) timeless

(b) infinite

(c) frequent

(d) constant

3 According to the passage, which is the main concern for medieval artists?

(a) the individual person and his/her possessions and surroundings

(b) real people, real scenes

(c) eternal timeless truth of the earth

(d) themes of religious stories

4 The discovery of perspective was the result of

(a) Renaissance artists’ to prove that the medieval artists could show level of reality

(b) the need to turn an object at an angle and draw more than one side of it

(c) the subject being shifted from religious stories to individual person and surroundings.

(d) natural evolution of human senses

5 The word “it” in line 12 refers to

(a) the picture

(b) perspective

(c) angle

(d) the object

托福阅读专项练习技巧

大家都知道，托福阅读考试有很多的题型，有一些题型是考试中的难点题型，考生在备考时需要着重练习。下面小编为大家带来托福阅读考试练习题目4类难题解题技巧分析一文希望对大家托福备考有所帮助。

托福阅读专项练习技巧

1、比喻修辞题

修辞目的题是常见于托福阅读部分的一种题型，这里的“修辞”其实并不是考查修辞方法，而是涉及相应段落在文章中的作用，如：总结，回答问题，反驳，解释说明等。而“目的”则是考查对文章展开形式的把握，是否了解到文章的结构为：观点+细节。

2、推理题

og上将推理题定义为检查考生对文章中强烈建议，但绝不明说观点的理解程度，属于理解性题目。

3、推断题

说到托福阅读题，你觉得哪种阅读题型最难做?相信有将近50%的童鞋都会把票投给推断题。每次考试遇到推断题，都有一种被难题支配的恐惧和阴影......推断题是有一定的难度所在的，这点可以从托福考试官方指南(og)的改变上就可发现一些端倪。第三版og上，推断题的考查数量为0-2题，第四版og已经增加到1-3题，ETS的用(yin)意(mou)所在可见一斑。

4、修辞目的题

除了很难的阅读推断题，在托福阅读题型中有一种题型跟它恰好相反，是比较好驾驭的一种题型，那就是修辞目的题，听起来很高端的样子，虽然这类题型的答案在文中很好定位，但要想拿下高分还是有一定困难的。

虽然一个是很难的推断题，一个是比较好驾驭的比喻修辞题，但它们有一个同样的做题难点—耗时又耗力。

阅读一般来说是中国人的强项了，也是拿分的主力。如果你口语不牛，作文一般，还想考到100分，那么阅读应该保证在28分以上。(对于多数人来说，要达到一百分，28，26，22，24这个结构是比较容易达到的。)在IBT阅读中，甚至可以扩展到ETS所有考试的阅读题目中，如果要用一个词来概括的话，那就是paraphrase，意译。无论是题干还是正确选项，大都能在原文中找出一句话来与之相对应。即题目是原文的意译。这种意译是通过同义词来完成的。即题干中多用近义词来对原文中的句子进行替换，来达到提出问题或者提出正确答案的意思。准确把握意译，是多数题目中准确在原文中定位信息、或者在迷惑选项中选出正确的那个，都有着重要的作用。在后面的文章里我会结合实例解释这一点。

还有很重要的一点，做题的时候，无论考试还是练习，不光要分析对的选项为什么对，更要分析错的选项为什么错。有时候分析错误的原因更为重要。有助于你把握出题的思路，培养感觉。这是非常有用的。

托福阅读题型怎么破

很多人希望通过多练习托福阅读，掌握托福阅读的提醒，来拿托福阅读的高分，那么托福阅读的题型有哪些呢?大家应该如何去破解呢?今天小编就跟大家分享一些关于托福阅读提醒的破解攻略。

托福阅读题型

单词题目

这种托福阅读题型需要大家平时注意单词量的积累，力求达到可以随时随地记忆单词的境界。其实我们在记忆单词的时候也可以适当地使用一些策略，那就是在我们可以把自己的侧重点放在动词和形容词的记忆上。托福阅读考试过后，你就会发现这个策略的事半功倍了。此外，对于自己不认识的单词，我们应该主动回原文找同义词，或找相关的提示信息。

代词指代对象的题目

在托福阅读考试中，它们主要会以如下两种形式出现。

(1)it、one、their、its、that类，这种题目主要是考查我们对于并列关系的掌握，这时，我们应该主动去看这个词所在的那整句话，从已知话中找到处于相同地位的词。

(2)考查由that、which涉及到的定语从句类，我们在面对这种题目时，应该有意识的在选项中找从句中谓语动词的发起者或接受者，因为只有这样才可以迈出通向胜利的步。

考查文章内容的托福阅读题目

在历次的托福阅读考试中，也存在着两大主要题型，即：文章细节考查题和文章结构考查题。

解答文章细节考查题，我们一般都可以回到原文中去做定位，找到相近或相似的内容，进而得出答案。

常见的定位有以下3种：

(1)题目本身给出定位。

(2)至少先可作出一个段落的定位。

(3)位置多夹于前后两题位置之间。

2、文章结构考查题

一定要注意：

(1)千万不要根据你读的信息去作推理。

(2)不要把文章从头到尾当成一个整体，尽可能各段立。

(3)根据经验，在考试中，整篇文章的后一句出题较多，所以应该仔细阅读这个重要的句子。

在整个的托福阅读考试中，我们还应该了解到：

(1)在这个特殊的考试时间段内，我们的记忆比理解更为重要，在解题的时候一定要完全忠实于原文，切忌私自做出任何的主观臆断。

(2)在做题步骤方面，我们可以先简读原文(主要是各个段落的，二句话)，而后阅读题目，后观察选项做出判断。值得我们特别注意的是，我们在做出判断的时候，切忌不要选择在选项中存在比较，而在原文中没有明确表示过的项目;切忌不要去选择那些说法过于对化的选项。

新托福阅读背景知识分享

The roots of jazz

The folk songs and plantation dance music of black Americans contributed much to early jazz. These forms of music occurred throughout the Southern United States during the late 1800's.

Ragtime, a musical style that influenced early jazz, emerged from the St. Louis, Mo., area in the late 1890's. It quickly became the most popular music style in the United States. Ragtime was an energetic and syncopated variety of music, primarily for the piano, that emphasized formal composition.

The blues is a form of music that has always been an important part of jazz. The blues was especially widespread in the American South. Its mournful scale and simple repeated harmonies helped shape the character of jazz. Jazz instrumentalists have long exploited the blues as a vehicle for improvisation.

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